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Sicily Excursion Private
Tour
Shore excursion from and to Port
Sicily Port Shore Tours for Cruisers
From and To |
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PALERMO |
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Cathedral of Santa Maia Assunta |
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Palermo's main attraction is
it's beautiful cathedral, officially the Cathedral of Santa
Maria Assunta. Originally it was built in the Norman-Arab
fashion, but the many additions and alternations have made
it a mix of architectural styles and simply enormous. The
styles include Norman, Baroque, Arab and Gothic with some
additions as recent as the cupola from the 1700s. The
cathedral is flanked by four towers of the Norman period and
connected to the south to Palazzo Arcivescovile with two
large arches and the clock bell tower.
The interior has also been altered with a variety of
architectural styles. The building is a Latin cross with
three aisles divided by pillars with statues of saints that
were part of the decoration of the tribune of Gagini. The
crypt and treasury offer a variety of precious objects for
visitors to observe, including the golden tiara which once
belonged to Queen Constanza.
Roger II, Henry VI of Hohenstaufen, Constanza de Hauteville
and Frederick II of Hohenstaufen are all buried in this
crypt. Ophamil, the creator of the church is also buried in
a sarcophagus in the church's crypt. Another attraction is
the heliometer, a solar observatory from the 17th century.
This allows the image of the sun to be projected on the
floor at solar noon. |
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Martorana Church |
is famed for its spectacular mosaics. This is one of the
most celebrated churches in Palermo. Dating from the
Norman-Byzantine era, mosaics cover every surface including
on and around the columns that hold up the principal cupola.
The mosaics are notable not only for the elaborate designs,
but for the vibrant colors of green, ivory, azure blue, and
red on a golden background.
One of the most interesting mosaics is that of King Roger II
being crowned by Christ. Roger is dressed in a jeweled
Byzantine garment, reflecting the Norman court's fascination
with everything Byzantine. Another panel shows a kneeling
George of Antioch, founder of the church, dedicating La
Martorana to the Virgin.
The exterior includes a graceful bell tower from the 12th
century. The baroque facade is a cover on the original
Norman front.
Visitors can obtain a key from the custodian sitting at a
table to the right when entering the chapel. From here
entrance can be made to the smaller Chiesa di San Cataldo,
also of Norman origin. It was founded by Maio of Bari,
chancellor to William I. This church was never finished, but
is still famous for its Saracenic red golf-ball domes. |
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Regiona Archaeological Museum |
This is a wonderful archaeological museum of Italy, full of
prehistoric treasures. Most of the collection dates from the
Roman era, but includes major Sicilian finds from the
Phoenician, Punic, Greek, Roman, and Saracen periods, with
several noteworthy treasures from Egypt. The building also
has beautiful features, such as the hexagonal 16th century
fountain bearing a statue of Triton in the courtyard.
One of the most interesting parts of the exhibit is the
famous metope, a collection of Greek vases and several
mosaics from patrician Roman villas. Located in room 13,
these finds were unearthed at the temples of Selinunte, once
one of the major cities of Magna Graecia, Freek colonies in
Southern Italy. The three metopes from Temple C, a quartet
of splendid metopes from Temple E, and a 5th-century bronze
statue, Ephebe of Selinunte are all on display.
There are many other exhibits worth examining. A pair of
sarcophagi that date from the 5th century B.C. are on
display. Etruscan antiquities grace rooms 14 to 17. The
Oinochoe Vase, from the 6th century B.C., is one of the most
detailed artifacts of Etruscan blackened earthenware. The
museum houses the most complete collection of ancient
anchors, mostly Punic and Roman. There are several large
Roman bronzes, including an impressive Ram, a Hellenistic
work from Syracuse. Another notable work here is Hercules
Killing the Stag, discovered at Pompeii, a Roman copy of a
Greek original from the 3rd century B.C. |
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AGRIGENTO |
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Temple of Concord |
is an intriguing archaeological site just outside of the
modern city of Agrigento. The structure is large, with an
area of 843,38 square meters and a height of 13,481 meters
with two intact classic Greek spiral staircases that lead to
the ceiling. The temple is listed as a UNESCO National
Heritage site, along with the string of five Doric style
Greek temples that surround it. This is the best preserved
of the five and is one of the primary reasons to visit the
city.
The location was ideal for construction and the natural
landscape was used to design the building. Ground level
formed the basement of the temple, with steps that lead to
the heightened upper levels. This is where worship and
religious practices took place.
The temple's name comes from an ancient Latin inscription
found near the temple. The temple was probably consecrated
to the Greek Deities of the sea, Dioscuri, Castore and
Polluce. The interior was decorated with different shades of
stucco. Medieval tombs are another attraction to the area.
Because the temple was once a basilica, tombs are located
around the church. |
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MONREALE |
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Monreale |
Monreale's greatest feature is it's world-renowned cathedral.
With a mix of Arab, Byzantine and Norman artistic styles all
on a Romanesque structure, this is a combination of the best
of 12th century East and West design. The church is a
national monument of Italy and one of the most important
attractions of Sicily.
The exterior of the cathedral is fairly plain, with the
majority of the decoration on the aisle walls and three
eastern apses which have intersecting pointed arches. The
interior plan has large triple-apsed choir like one of the
early three-apsed churches. Columns of grey oriental granite
(except for one notable exception of cipolin marble) support
eight pointed arches. There is no triforium, but a high
clerestory with wide windows.
The mosaics are one of the cathedral's greatest features.
this is one of the world's largest displays of this art,
surpassed only by Istanbul's famous Basilica of Saint Sofia.
Even after many of the mosaics were destroyed when the Turks
conquered Constantinople in 1453, there is still 6,340
square meters of the duomo's interior surface covered in
mosaic. |
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SIRACUSA |
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Greek Amphitheatre |
This ancient theater was the site of various events,
including ancient Greek theater. Plays, assemblies, and
circus games were all held there. With a diameter of 138.60
meters, this is one of the largest in the world. It was
originally constructed by 67 orders of steps, mostly
excavated in solid rock and divided into 9 wedge shaped
areas. On each of these incised wedges there are names of
gods like Zeus, Hercules, and Hera.
Most of the stage is gone and the seats have been greatly
eroded. An area for the orchestra is dug out and columns and
pillars are merely memories. Above the theater, there is a
terrace carved into the rock. At the center of the back wall,
many little niches are carved into the wall to house statues.
It was important to honor the gods with the plays and there
likeness was depicted throughout the ancient theater.
Cast members were always male in the plays of ancient Greek
tragedies. Masks, chorus, and satiric character types
performed the works of Aeschylus, Sophocles, and Euripides.
Performances were generally held during public holidays as a
source of entertainment, culture, and community interaction. |
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TAORMINA |
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Greek Amphitheatre |
This 10,000 seat stadium dates from the ancient Greeks, as
indicated in its name. It is the main monument in Taormina
and one of the most famous tourist attractions of Sicily.
Not only is the theater amazing, there is a phenomenal view
of the surrounding landscape. A sometimes snow capped Mount
Etna looms on the horizon and the Ionian Sea glimmers
brightly. Visitors come to the Teatro Greco for history,
leisure, and beauty.
Shows are still performed here by the Taormina Arte, an
international festival of cinema, theater, dance and
symphony music which takes place every summer. The site
still features perfect acoustics. Visitors can explore the
stage and backstage areas, or settle into one of the curving
rows of seats.
The original theater was erected in the 3rd century BC by
the Greeks. Seats were carved out of the hillside and the
background of the theater took advantage of the magnificent
view over the city and toward Mount Etna. The site was an
important center in which Greek artists could hone their
craft both as playwrights and actors.
A perfect site for the Greek art of theater, the
amphitheater was completely reconstructed when the Romans
took over. More interested in a stage for Gladiator events,
the Romans deconstructed the orchestra and demolished the
first rank of stalls. They also inserted a corridor for the
combatants' entry. The entire structure was expanded and the
Gladiator events began.
The Greek Theater is now an important tourist site. When not
plagued by tourist buses or performance, the theater is
quite and serene as it overlooks the rest of the city. It is
a stunning piece of history for the city and for Italy. |
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CATANIA |
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Saint Anthony basilica |
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was built around the 10th century in honor of Saint Anthony,
patron saint of navigators, and in c.1300 it became the home
of the "Confraternita dei Battenti", an heretical
confraternity originating from Naples. It was splendidly
restored in the C17th by the Theatine Fathers. The crypt
holds the tomb of Saint Anthony, where thousands of votive
offerings have been made by sailors. |
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Saint Francis Cloisters |
Have been restored on numerous occasions over the centuries
and hence display a distinctive array of architectural
styles that range from late gothic to renaissance, while the
refectory retains its original fourteenth century structure.
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Museo Correale |
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Within the 18th–century Palazzo Correale, which has some
interesting murals, is the Museo Correale, containing a
small collection of 17th– and 18th-century Neapolitan art
and an assortment of Greek and Roman artefacts. Steps lead
down to the shore while the gardens offer views of the bay. |
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Cathedral |
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The gleaming white facade of the cathedral gives no hint of
the exuberance housed within. There's a particularly
striking Crucifixion above the main altar. The triple-tiered
bell tower rests on an archway into which three classical
columns and a number of other fragments have been set. |
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Sedil Dominova |
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A unique testimony to the ancient "sedile", which was the
building in which the city fathers gathered to make laws and
decide on economic and administrative matters. A magnificent
majolica-tiled dome covers the arcaded loggia of the Sedil
Dominova. |
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